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Dr. Sebi 2:420:00/2:42
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Disaster Zone 1:230:00/1:23
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My Place 2:250:00/2:25
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Untitled Theme 2:290:00/2:29
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Silver Days 5:070:00/5:07
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Not of this World 2:250:00/2:25
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Slow Panic 4:580:00/4:58
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Infinity 2:450:00/2:45
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Madam Mrs 3:360:00/3:36
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0:00/3:47
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Savoured in Love 4:480:00/4:48
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In my Shoes 4:350:00/4:35
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Tusk 3:420:00/3:42
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0:00/3:07
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Flickers 3:280:00/3:28
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Sleepwalking Man 3:510:00/3:51
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Spoiled 2:580:00/2:58
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Not the Same 3:220:00/3:22
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Rain 4:110:00/4:11
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Shifting Sands 5:000:00/5:00
Independent Music. BUILT FOR LONGEVITY. FROM LOCAL ROOTS TO GLOBAL STAGES.
One Shoe Records is a UK-based independent music company operating at the intersection of culture, rights, and long-term value.
We curate and develop distinctive music catalogues across digital, physical, and sync markets, combining creative vision with disciplined rights management for today’s evolving music economy.
Our work centres on building music with purpose, structured for ownership, longevity, and meaningful global opportunity.
Independent in spirit. Strategic by design.
Savvie
Spark the Fire (ReIGNITEd)
Lifted from his God is Gangsta album - written during a time of profound uncertainty about his faith and purpose - Spark the Fire serves as both a therapeutic outlet and a powerful statement of resilience for Savvie. The lyrics reflect his yearning for redemption and the universal human desire to find light in moments of darkness, offering listeners an intimate yet relatable narrative. Musically, the track blends introspective verses with dynamic production, building from a reflective opening into an uplifting crescendo. This careful construction mirrors Savvie's emotional journey, making the song a compelling anthem of self-discovery and empowerment.
Since its release, Spark The Fire has been praised for its authenticity and emotional depth, with fans and critics alike lauding it as a standout in Savvie’s discography. The song’s universal themes of searching for meaning and reigniting hope have resonated deeply, cementing Savvie’s reputation as a gifted lyricist and storyteller. With over 50k Spotify streams, this release underscores Savvie’s ability to create music that moves and inspires. A reminder to us all that even in the darkest times, it’s possible to reignite the flames of purpose and resilience.
Delia Fischer
Beyond Bossa
Her recordings have earned her Latin Grammy nominations for Best Brazilian Album (MPB) in 2021 (H.O.J.E., Labidad Produções) and 2019 (Tempo Minimo, Labidad Produções). Beyond Bossa is the first of Fischer's albums to offer English lyrics, written by jazz journalist Allen Morrison, with a majority of the tune selections translated/adapted from Tempo Minimo. There is a fascinating synergy between Beyond Bossa and its counterpart, her 2019 release, with each production informing the other, enhancing the whole. Morrison and Fischer worked in tandem on the compositions, but because neither is fluent in the other's language, Fischer's manager, Andre Oliveira, acted as their interpreter.
One fruit of these collaborations is "The Lemon Jugglers of Rio." It features New York Voices in a vocal arrangement by Darmon Meader, created and offered from afar. Morrisson's lyric is an imaginative retelling of "Corações Amarelos," Camila Costa's text, which can be heard on Tempo Minimo, a tale of children who perform daily for pennies at a stop light and drivers who greet them with rolled-up windows (and "fechado corações"). Morrison's narrator pleads for the motorist to "have a heart and give to the lemon jugglers of Rio if you are a real patron of the arts." The orchestration is delicate, with the sweet timbres of flutes, bells and vocal percussion grounded by bass clarinet and bass; the overall sound is similar to what one hears on Tempo Minimo. Morrison's lyric accentuates Fischer's descending melody ("tumbling down the mountain every morning"), while Meader's canonic counterlines evoke a tossed ball ("practicing their juggling at the intersection when the light turns red"). The English is not a translation of Costa's Portuguese, but the esential story is retained, with the sensual experience, its color and aroma. Briefly, at the end, the Portuguese and English entwine. [Source]
Delia Fischer has performed and recorded with Brazilian and international greats Gilberto Gil, Marcos Valle, Milton Nascimento, Ed Motta, Toninho Horta, Hermeto Pascoal, guitarist Romero Lubambo, Swedish singer Lisa Nilsson, and Mario Biondi. Her stage performances are marked by superb musicianship, charming singing, Brazilian charisma, and beautiful songs.
THE WEDNESDAY PLAY
FLICKERS
New Cross, London - The Wednesday Play gift us with their first single 'Flickers' (lifted from their self-titled up and coming album release) - a tight, guitar-driven post-punk track featuring a wild saxophone solo and outro. Musical comparisons include The Fall, The Buzzcocks and Blur. Lyrically the song references out of date technology (such as DVD players etc) as metaphors for feelings of disorientation and disconnection. Artwork and animation by Kristian Hammerstad
The Wednesday Play - Flickers / Waiting at Home 7" single OUT NOW